Van halen discography kat
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3M blue painter’s tape) was not invented until 1988. It was a piece of masking tape (not electrical tape) that Ed cut out in that design and removed after spraying the white coats, just like he did with the bigger, wider stripes.ģ) The “blue tape” that Roth referred to (i.e. Roth’s story about the “squiggle” makes absolutely no sense. This explains why some pieces can be seen hanging from the guitar later in ’78 tour shots. The very thin stripes were automotive pinstripes attached to the body after it was painted (Roth doesn’t mention this key detail at all). Roth gets this essential detail completely wrong. It is very well documented that Ed created the black and white finish by placing strips of masking tape on the black painted Frankenstein body then spraying coats of white paint on the exposed portions and subsequently removing the tape, leaving behind black stripes.
VAN HALEN DISCOGRAPHY KAT SERIAL NUMBER
The white ’61 Strat was taken apart very soon afterward with its neck, serial number plate, and vibrato tailpiece/bridge showing up in mid-Feb ’77 on the unfinished Frankenstein body, so the ’61 Strat with white finish existed for less than a month.Ģ) The “white Stratocaster” that Roth mentions could not possibly have been the foundation (or base, or whatever) of the Frankenstein. He said, “Three key factual errors in Roth’s statement prove that his story is a complete revisionist fabrication”ġ) Accurately dated photographic evidence shows that Eddie Van Halen’s Frankenstein guitar did not appear until February 1977 (shot by Bo Shannon at Pasadena Civic in mid-Feb 1977) first with an unfinished body, then with an all-black finish (first photographed by Kevin Estrada and Jenny Lens at the Whisky in late May ’77, but possibly it was painted earlier), then with the famous black and white striped finish in July ’77 (as shot by VH fan Kat Hanes at the Whisky as well as by an anonymous fan – Kat Hanes also shot Ed with the BW Franky at Magic Mountain in August ’77).Įd did not have the Frankenstein in “’75 or ’76” as Roth stated, although he did use a 1961 Stratocaster in ’76 (originally stock three-color sunburst), which he painted white in early ’77 (specifically mid-January, as seen in Bo Shannon photos shot at the Whisky, *Shannon said it was the Starwood, but research after the article shows its actually the Whisky*). The VHND reached out to Gill for a comment. Someone who has done exhaustive research, however, is Gill. This isn’t a science lesson this is just my memory. To be fair, Roth did admit: “I haven’t even looked at the guitar in years and I haven’t done research. So, did Dave “tell the truth”? Maybe a “different kind of truth”? Or is it all just a work of fiction? Later in the video, Roth said that the stripes were created by spraying red and black paint onto the white body. He went on to explain that he “walked in with three rolls of tape: one roll of grey duct tape, one roll of black electrician’s tape, and one roll of blue tape that we used for pinstriping”. Roth claimed that sometime in the mid-70s he told Eddie to pinstripe his white guitar since it looked “eerily reminiscent of Jimi Hendrix”. This past weekend David Lee Roth released a video in which he told the story of how Eddie’s iconic red, black and white Frankenstein guitar design began. Chris Gill, author of Eruption: Conversations with Eddie Van Halen and EVH guitar expert, says: “C’mon Dave….gimme a break!”